{"id":46,"date":"2019-08-27T08:46:57","date_gmt":"2019-08-27T11:46:57","guid":{"rendered":"http:\/\/blog.ufes.br\/arteposmidia\/?page_id=46"},"modified":"2026-05-11T07:21:15","modified_gmt":"2026-05-11T10:21:15","slug":"pesquisa","status":"publish","type":"page","link":"https:\/\/blog.ufes.br\/arteposmidia\/pesquisa\/","title":{"rendered":"pesquisa e extens\u00e3o"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Grupo de Estudos sobre Processos de Cria\u00e7\u00e3o em Curadoria (Ufes).<br><a href=\"https:\/\/www.plataformadecuradoria.com\/\">https:\/\/www.plataformadecuradoria.com\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<h1 class=\"wp-block-heading\">SISTEMAS DA ARTE P\u00d3S-DIGITAL:<br>ESTUDOS SOBRE CURADORIA EXPANDIDA EM PLATAFORMAS ON-LINE<br>APOIO: FAPES EDITAL UNIVERSAL 2021-2023\u00a0<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\">Neste projeto prop\u00f5e-se a execu\u00e7\u00e3o de uma pesquisa destinada a suprir a lacuna e impulsionar a produ\u00e7\u00e3o de conhecimento sistematizado sobre os desdobramentos est\u00e9ticos e socioculturais do uso de plataformas on-line para a circula\u00e7\u00e3o da arte. Como recorte temporal, a pesquisa se concentra no estudo de experi\u00eancias ocorridas entre 2019 e 2022 \u2013 abrangendo, portanto, um per\u00edodo precedente e subsequente \u00e0s restri\u00e7\u00f5es \u00e0 circula\u00e7\u00e3o de pessoas no espa\u00e7o p\u00fablico para conten\u00e7\u00e3o da pandemia do novo coronav\u00edrus. O objetivo da pesquisa \u00e9 organizar uma base de dados, informa\u00e7\u00f5es e an\u00e1lises de casos, para refer\u00eancia do p\u00fablico interessado em pr\u00e1ticas curatoriais expandidas para ambientes baseados na virtualidade da media\u00e7\u00e3o espa\u00e7o-temporal e na articula\u00e7\u00e3o de redes de comunica\u00e7\u00e3o.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u200b<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O trabalho \u00e9 conduzido por meio de metodologia qualitativa, com uso pontual de m\u00e9todos mistos conforme a disponibilidade de dados e a viabilidade de sua estrutura\u00e7\u00e3o e an\u00e1lise quantitativa. S\u00e3o realizados estudos bibliogr\u00e1ficos, mapeamento de experi\u00eancias de curadoria em plataformas on-line, an\u00e1lises conceituais e t\u00e9cnicas de casos e a\u00e7\u00f5es experimentais de participa\u00e7\u00e3o ou organiza\u00e7\u00e3o de exposi\u00e7\u00f5es no ambiente virtual.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Como resultados esperados, a pesquisa ter\u00e1 como principal produto a publica\u00e7\u00e3o da sistematiza\u00e7\u00e3o de dados coletados, informa\u00e7\u00f5es e an\u00e1lises neste site. Al\u00e9m disso, o trabalho ser\u00e1 vertido para publica\u00e7\u00f5es acad\u00eamicas, no formato de artigos ou de comunica\u00e7\u00f5es em eventos promovidos por institui\u00e7\u00f5es e pares da \u00e1rea de artes e outras \u00e1reas afins. Por fim, a pesquisa contribuir\u00e1 para suprir atividades de ensino e extens\u00e3o gerando subs\u00eddios em l\u00edngua portuguesa sobre a tem\u00e1tica emergente abordada.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A pesquisa \u00e9 realizada com financiamento da Fapes &#8211; Edital Universal.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u200b<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PESQUISADORES PRINCIPAIS<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prof. Dr. DANIEL HORA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Departamento de Artes Visuais e PPGA da Ufes<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u200b<\/p>\n\n\n\n<div style=\"position: fixed;top: -4568px;left: -4039px\"><p>L&#8217;offre globale pr\u00e9sent\u00e9e par <a href='https:\/\/olympcasino.fr'>casino olymp<\/a> couvre l&#8217;essentiel des envies des joueurs francophones. Les pages de jeux affichent toutes les informations utiles : RTP, volatilit\u00e9, fournisseur, mise minimum. Les promotions hebdomadaires offrent des tours gratuits, des bonus de rechargement et des r\u00e9compenses surprises. Les m\u00e9thodes de paiement instantan\u00e9es rendent l&#8217;exp\u00e9rience particuli\u00e8rement fluide. Les politiques de confidentialit\u00e9 respectent les standards europ\u00e9ens en mati\u00e8re de protection des donn\u00e9es. Les options de mise automatique permettent aux joueurs de d\u00e9finir des strat\u00e9gies pr\u00e9d\u00e9finies sur certains jeux. Les flux vid\u00e9o en haute d\u00e9finition garantissent une qualit\u00e9 d&#8217;image irr\u00e9prochable. Les tickets envoy\u00e9s par e-mail re\u00e7oivent une r\u00e9ponse circonstanci\u00e9e dans des d\u00e9lais courts. Les amateurs de jeux t\u00e9l\u00e9vis\u00e9s retrouvent leurs formats pr\u00e9f\u00e9r\u00e9s adapt\u00e9s au monde du casino en ligne. Le site s&#8217;adapte automatiquement \u00e0 la taille de l&#8217;\u00e9cran pour conserver lisibilit\u00e9 et confort. Le mode sombre reposant pour les yeux convient particuli\u00e8rement aux sessions prolong\u00e9es. Les offres de cashback compensent une partie des pertes selon des pourcentages clairement annonc\u00e9s. Les bordereaux de transaction restent consultables \u00e0 tout moment dans l&#8217;espace personnel. Les mineurs sont strictement \u00e9cart\u00e9s gr\u00e2ce \u00e0 des contr\u00f4les d&#8217;identit\u00e9 rigoureux. Le mode tournoi cr\u00e9e une \u00e9mulation suppl\u00e9mentaire entre les membres de la communaut\u00e9. Les limites de mise sur les tables live s&#8217;adaptent aussi bien aux petits joueurs qu&#8217;aux high rollers. Les guides pas-\u00e0-pas mis \u00e0 disposition aident les nouveaux venus \u00e0 d\u00e9couvrir l&#8217;\u00e9cosyst\u00e8me. Les jackpots progressifs atteignent r\u00e9guli\u00e8rement des montants susceptibles de transformer une vie. Les notifications mobiles informent en temps r\u00e9el des promotions et des tournois en cours. La page d&#8217;accueil met en \u00e9vidence les jeux populaires et les promotions du moment. Le club VIP propose un accompagnement personnalis\u00e9 et des avantages exclusifs pour les habitu\u00e9s. Cette proposition s&#8217;impose progressivement comme une r\u00e9f\u00e9rence solide du jeu francophone. Le niveau d&#8217;exigence affich\u00e9 par cette plateforme la positionne durablement parmi les leaders.<\/p><\/div>\n\n\n\n\n\n<p class=\"wp-block-paragraph\">Profa. Dra. ANANDA CARVALHO<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Departamento de Artes Visuais da Ufes<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Coordenadora da Galeria de Arte Espa\u00e7o Universit\u00e1rio da Ufes<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u200b<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prof. Dr.&nbsp; MIGUEL GALLY DE ANDRADE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Depto. de Teoria e Hist\u00f3ria da Faculdade de Arquitetura e Urbanismo e<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PPGFAU da Universidade de Bras\u00edlia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u200b<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PESQUISADORES COLABORADORES<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prof. Dr.&nbsp; GABRIEL MENOTTI GONRING<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Queen&#8217;s University, Canad\u00e1<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u200b<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prof. Dr.&nbsp; MIRO SOARES<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Departamento de Artes Visuais da Ufes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u200b<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prof. Dr.&nbsp; LEANDRO LESQUEVES COSTALONGA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Departamento de Computa\u00e7\u00e3o e Eletr\u00f4nica, Ceunes, e PPGA da Ufes.\u200b<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u200b<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PESQUISADORAS DE MESTRADO<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">KARYNE BERGER MIERTSCHINK (PPGA-UFES)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">LARISSA PEREIRA (PPGA-UFES)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">VIRGINIA MANFRINATO CAVALCANTE (PPGFAU-UNB)<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static.wixstatic.com\/media\/54bcb0_61285a653e0d406ebd15dbedf47279a2~mv2.png\/v1\/fill\/w_971,h_241,al_c,q_85,usm_0.66_1.00_0.01,enc_auto\/54bcb0_61285a653e0d406ebd15dbedf47279a2~mv2.png\" alt=\"\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Photo by <a href=\"https:\/\/unsplash.com\/@qwitka?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText\">Maksym Kaharlytskyi<\/a> on <a href=\"https:\/\/unsplash.com\/s\/photos\/cabinet-file?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText\">Unsplash<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Grupo de Estudos sobre Processos de Cria\u00e7\u00e3o em Curadoria (Ufes).https:\/\/www.plataformadecuradoria.com\/ SISTEMAS DA ARTE P\u00d3S-DIGITAL:ESTUDOS SOBRE 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