{"id":61,"date":"2019-08-27T09:35:19","date_gmt":"2019-08-27T12:35:19","guid":{"rendered":"http:\/\/blog.ufes.br\/arteposmidia\/?page_id=61"},"modified":"2023-03-16T15:13:41","modified_gmt":"2023-03-16T18:13:41","slug":"referencias","status":"publish","type":"page","link":"https:\/\/blog.ufes.br\/arteposmidia\/","title":{"rendered":"publica\u00e7\u00f5es"},"content":{"rendered":"\n

HORA, Daniel. BELLO, Hugo de S . Entropias negativas na era da cultura p\u00f3s-digital: remedia\u00e7\u00f5es cr\u00edticas e curatoriais da arte na internet. In: 20o. Encontro Internacional de Arte e Tecnologia, 2021, Val\u00eancia. Anais…<\/strong> Val\u00eancia: Universitat Polit\u00e8cnica de Val\u00e8ncia; Media Lab BR, 2021. p. 456-466. doi: http:\/\/dx.doi.org\/10.5281\/zenodo.5803575<\/a>. <\/p>\n\n\n\n

\u0392\u03af\u03bf\u03c2 + BI\/OS: Diferen\u00e7a e corporeidade nas abordagens tecnol\u00f3gicas transgressivas observadas na artem\u00eddia. Artefilosofia,<\/strong> Ouro Preto, v. 15, edi\u00e7\u00e3o especial, 2020. Dispon\u00edvel em: https:\/\/periodicos.ufop.br\/raf\/article\/view\/4309\/3590<\/a>. Acesso em: 15 abr. 2021.<\/p>\n\n\n\n

Remedia\u00e7\u00f5es do conv\u00edvio na arte p\u00f3s-digital: o car\u00e1ter cr\u00edtico de proposi\u00e7\u00f5es em realidade urbana aumentada e m\u00eddias sociais. In: SEMIN\u00c1RIO \u00cdBERO-AMERICANO SOBRE O PROCESSO DE CRIA\u00c7\u00c3O NAS ARTES, 10., 2020, Vit\u00f3ria. Anais…<\/strong> Vit\u00f3ria: Edufes, 2020. p. 462-470. PDF<\/a><\/p>\n\n\n\n

Arte e algoritmo: uma genealogia. Revista SeLecT<\/strong>, S\u00e3o Paulo, primavera 2020, p. 68-73. vers\u00e3o on-line<\/a> <\/p>\n\n\n\n

Cubo branco, caixa preta, plataformas radiantes: portabilidade e experi\u00eancia est\u00e9tica da arte por meio de aparatos reticulares. In: SIMP\u00d3SIO INTERNACIONAL DE RELA\u00c7\u00d5ES SIST\u00caMICAS DA ARTE, 2., 2019, S\u00e3o Paulo. Anais<\/strong> […]. Porto Alegre: UFRGS, 2020. p. 259-267. e-book<\/a><\/p>\n\n\n\n

Paradoxes of post-digital activism in art, design and architecture. DAT Journal<\/strong>, S\u00e3o Paulo. v. 4, n. 2, p. 22-31, 5 Aug. 2019. DOI: 10.29147\/dat.v4i2.126<\/a><\/p>\n\n\n\n

Alteridade operacional da imagem: acerca do anonimato no arte-ativismo hacker. Revista Farol<\/strong>, Vit\u00f3ria, v. 1, n. 21, p. 44\u201350, 2019. DOI: 10.47456\/rf.v1i21.30842. <\/a><\/p>\n\n\n\n

Media\u00e7\u00e3o informacional e neguentropia: espacialidades, temporalidades, singularidades da arte na \u00e9poca p\u00f3s-digital. In: COL\u00d3QUIO DE ARTE E PESQUISA DOS ALUNOS DO PROGRAMA DE P\u00d3S-GRADUA\u00c7\u00c3O EM ARTES DA UFES, 7., 2019, Vit\u00f3ria. Anais<\/strong> […] Vit\u00f3ria: 2019, Ufes. p. 11-15. PDF<\/a> e e-book<\/a><\/p>\n\n\n\n

Extens\u00f5es do sistema p\u00f3s-digital: fun\u00e7\u00f5es de registro e opera\u00e7\u00f5es comput\u00e1veis derivadas dos \u201carquivos de artistas\u201d. In: SIMP\u00d3SIO INTERNACIONAL DE RELA\u00c7\u00d5ES SIST\u00caMICAS DA ARTE, 1., 2018, Porto Alegre. Anais<\/strong> […]. Porto Alegre: UFRGS, 2018. p. 247-257. e-book<\/a><\/p>\n\n\n\n

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Mal-estar do algoritmo: notas sobre o arte-ativismo digital. In: ENCONTRO INTERNACIONAL DE ARTE E TECNOLOGIA, 17., 2018, Bras\u00edlia. Anais […]. <\/strong>Bras\u00edlia: UnB, 2018. p. 97-101. PDF<\/a><\/p>\n\n\n\n

Performance e disrup\u00e7\u00e3o: arte-ativismo hacker. Revista VIS, <\/strong>Bras\u00edlia, v. 15, n. 1, p. 4-29, jun. 2016. DOI: 10.26512\/vis.v15i1.14522<\/a><\/p>\n\n\n\n

Da in-visibilidade na arte: c\u00f3digos e corporifica\u00e7\u00f5es. In: SIMP\u00d3SIO INTERNACIONAL LAVITS, 3., 2015, Rio de Janeiro. Anais […] <\/strong>Rio de Janeiro: UFRJ, 2015. p. 358-377. PDF<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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mais informa\u00e7\u00f5es:<\/h2>\n\n\n\n

Academia.edu<\/a><\/p>\n\n\n\n

ResearchGate<\/a><\/p>\n\n\n\n

CV Lattes<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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